BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Adam Pendleton: To Divide By X-WR-TIMEZONE:Central Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813976673 DTSTART;VALUE=DATE:20230922 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813978722 DTSTART;VALUE=DATE:20230923 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813980771 DTSTART;VALUE=DATE:20230924 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813983844 DTSTART;VALUE=DATE:20230925 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813985893 DTSTART;VALUE=DATE:20230927 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813988966 DTSTART;VALUE=DATE:20230928 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813991015 DTSTART;VALUE=DATE:20230929 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813993064 DTSTART;VALUE=DATE:20230930 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813996137 DTSTART;VALUE=DATE:20231001 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021813998186 DTSTART;VALUE=DATE:20231002 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814000235 DTSTART;VALUE=DATE:20231004 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814002284 DTSTART;VALUE=DATE:20231005 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814005357 DTSTART;VALUE=DATE:20231006 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814007406 DTSTART;VALUE=DATE:20231007 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814009455 DTSTART;VALUE=DATE:20231008 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814011504 DTSTART;VALUE=DATE:20231009 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814037105 DTSTART;VALUE=DATE:20231011 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814039154 DTSTART;VALUE=DATE:20231012 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814041203 DTSTART;VALUE=DATE:20231013 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814043252 DTSTART;VALUE=DATE:20231014 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814046325 DTSTART;VALUE=DATE:20231015 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814049398 DTSTART;VALUE=DATE:20231016 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814051447 DTSTART;VALUE=DATE:20231018 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814053496 DTSTART;VALUE=DATE:20231019 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814055545 DTSTART;VALUE=DATE:20231020 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814058618 DTSTART;VALUE=DATE:20231021 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814060667 DTSTART;VALUE=DATE:20231022 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814063740 DTSTART;VALUE=DATE:20231023 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814065789 DTSTART;VALUE=DATE:20231025 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814068862 DTSTART;VALUE=DATE:20231026 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814071935 DTSTART;VALUE=DATE:20231027 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814075008 DTSTART;VALUE=DATE:20231028 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814077057 DTSTART;VALUE=DATE:20231029 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814079106 DTSTART;VALUE=DATE:20231030 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814081155 DTSTART;VALUE=DATE:20231101 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814085252 DTSTART;VALUE=DATE:20231102 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814088325 DTSTART;VALUE=DATE:20231103 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814091398 DTSTART;VALUE=DATE:20231104 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814093447 DTSTART;VALUE=DATE:20231105 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814096520 DTSTART;VALUE=DATE:20231106 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814098569 DTSTART;VALUE=DATE:20231108 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814100618 DTSTART;VALUE=DATE:20231109 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814104715 DTSTART;VALUE=DATE:20231110 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814107788 DTSTART;VALUE=DATE:20231111 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814111885 DTSTART;VALUE=DATE:20231112 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814113934 DTSTART;VALUE=DATE:20231113 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814117007 DTSTART;VALUE=DATE:20231115 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814120080 DTSTART;VALUE=DATE:20231116 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814122129 DTSTART;VALUE=DATE:20231117 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814126226 DTSTART;VALUE=DATE:20231118 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814130323 DTSTART;VALUE=DATE:20231119 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814133396 DTSTART;VALUE=DATE:20231120 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814136469 DTSTART;VALUE=DATE:20231122 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814139542 DTSTART;VALUE=DATE:20231124 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814142615 DTSTART;VALUE=DATE:20231125 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814144664 DTSTART;VALUE=DATE:20231126 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814147737 DTSTART;VALUE=DATE:20231127 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814150810 DTSTART;VALUE=DATE:20231129 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814153883 DTSTART;VALUE=DATE:20231130 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814155932 DTSTART;VALUE=DATE:20231201 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814159005 DTSTART;VALUE=DATE:20231202 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814162078 DTSTART;VALUE=DATE:20231203 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814165151 DTSTART;VALUE=DATE:20231204 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814168224 DTSTART;VALUE=DATE:20231206 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814170273 DTSTART;VALUE=DATE:20231207 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814173346 DTSTART;VALUE=DATE:20231208 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814176419 DTSTART;VALUE=DATE:20231209 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814179492 DTSTART;VALUE=DATE:20231210 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814183589 DTSTART;VALUE=DATE:20231211 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814186662 DTSTART;VALUE=DATE:20231213 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814188711 DTSTART;VALUE=DATE:20231214 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814191784 DTSTART;VALUE=DATE:20231215 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814193833 DTSTART;VALUE=DATE:20231216 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814196906 DTSTART;VALUE=DATE:20231217 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814198955 DTSTART;VALUE=DATE:20231218 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814202028 DTSTART;VALUE=DATE:20231220 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814205101 DTSTART;VALUE=DATE:20231221 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814207150 DTSTART;VALUE=DATE:20231222 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814210223 DTSTART;VALUE=DATE:20231223 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814212272 DTSTART;VALUE=DATE:20231224 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814215345 DTSTART;VALUE=DATE:20231227 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814217394 DTSTART;VALUE=DATE:20231228 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814219443 DTSTART;VALUE=DATE:20231229 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814222516 DTSTART;VALUE=DATE:20231230 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814224565 DTSTART;VALUE=DATE:20231231 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814226614 DTSTART;VALUE=DATE:20240103 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814229687 DTSTART;VALUE=DATE:20240104 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814231736 DTSTART;VALUE=DATE:20240105 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814234809 DTSTART;VALUE=DATE:20240106 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814236858 DTSTART;VALUE=DATE:20240107 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814238907 DTSTART;VALUE=DATE:20240108 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814240956 DTSTART;VALUE=DATE:20240110 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814245053 DTSTART;VALUE=DATE:20240111 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814247102 DTSTART;VALUE=DATE:20240112 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814249151 DTSTART;VALUE=DATE:20240113 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814253248 DTSTART;VALUE=DATE:20240114 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260816T233532Z UID:tag:localist.com\,2008:EventInstance_44021814256321 DTSTART;VALUE=DATE:20240115 DESCRIPTION:“What is your name?” “Where are you from?” “How did y ou end up here?” “Can you feel it?” “Does it hurt?” With these a nd other questions\, the American artist Adam Pendleton’s solo exhibitio n at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-resp onse network that articulates a sense of history as fragmented poetics. Th e exhibition will showcase a polyvocal assemblage of new and recent painti ngs\, drawings\, and video portraits that together reveal Pendleton’s in terest in creating a conversation between mediums\, as well as his belief in abstraction’s capacity to destabilize and disrupt.\n\nPendleton’s w ork is driven by his evolving concept of Black Dada\, which\, in 2008\, he described as a “way to talk about the future while talking about the pa st\; it is our present moment.” The term is borrowed\, in part\, from “Black Dada Nihilismus\,” a 1964 poem by Amiri Baraka (formerly known as LeRoi Jones\, 1934–2014)\, and it reflects the artist’s foundationa l project of “looking back at multiple things at once.” Premised on an approach that is asyntactic and combinatorial\, his paintings and other w orks address the codes of representation and abstraction\, the visual and literary uses of language\, and the aesthetics of Blackness as an open-end ed signifier. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Adam Pendleton: To Divide By URL;VALUE=URI:https://happenings.washu.edu/event/adam_pendleton_to_divide_b y CATEGORIES:Exhibits END:VEVENT END:VCALENDAR