BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Rev isions\, Inventions X-WR-TIMEZONE:Central Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679841428 DTSTART:20220924T160000Z DTEND:20220924T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679843477 DTSTART:20220925T160000Z DTEND:20220925T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679845526 DTSTART:20220926T160000Z DTEND:20220926T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679847575 DTSTART:20220927T160000Z DTEND:20220927T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679849624 DTSTART:20220928T160000Z DTEND:20220928T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679851673 DTSTART:20220929T160000Z DTEND:20220929T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679853722 DTSTART:20220930T160000Z DTEND:20220930T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679855771 DTSTART:20221001T160000Z DTEND:20221001T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679857820 DTSTART:20221002T160000Z DTEND:20221002T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679859869 DTSTART:20221003T160000Z DTEND:20221003T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679861918 DTSTART:20221004T160000Z DTEND:20221004T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679863967 DTSTART:20221005T160000Z DTEND:20221005T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679866016 DTSTART:20221006T160000Z DTEND:20221006T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679868065 DTSTART:20221007T160000Z DTEND:20221007T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679869090 DTSTART:20221008T160000Z DTEND:20221008T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679872163 DTSTART:20221009T160000Z DTEND:20221009T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679874212 DTSTART:20221010T160000Z DTEND:20221010T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679876261 DTSTART:20221011T160000Z DTEND:20221011T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679878310 DTSTART:20221012T160000Z DTEND:20221012T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679880359 DTSTART:20221013T160000Z DTEND:20221013T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679882408 DTSTART:20221014T160000Z DTEND:20221014T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679884457 DTSTART:20221015T160000Z DTEND:20221015T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679886506 DTSTART:20221016T160000Z DTEND:20221016T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679888555 DTSTART:20221017T160000Z DTEND:20221017T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679889580 DTSTART:20221018T160000Z DTEND:20221018T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679891629 DTSTART:20221019T160000Z DTEND:20221019T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679893678 DTSTART:20221020T160000Z DTEND:20221020T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679895727 DTSTART:20221021T160000Z DTEND:20221021T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679897776 DTSTART:20221022T160000Z DTEND:20221022T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679899825 DTSTART:20221023T160000Z DTEND:20221023T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679901874 DTSTART:20221024T160000Z DTEND:20221024T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679903923 DTSTART:20221025T160000Z DTEND:20221025T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679905972 DTSTART:20221026T160000Z DTEND:20221026T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679908021 DTSTART:20221027T160000Z DTEND:20221027T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679910070 DTSTART:20221028T160000Z DTEND:20221028T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679912119 DTSTART:20221029T160000Z DTEND:20221029T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679914168 DTSTART:20221030T160000Z DTEND:20221030T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679916217 DTSTART:20221031T160000Z DTEND:20221031T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679918266 DTSTART:20221101T160000Z DTEND:20221101T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082123Z UID:tag:localist.com\,2008:EventInstance_41112679919291 DTSTART:20221102T160000Z DTEND:20221102T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679921340 DTSTART:20221103T160000Z DTEND:20221103T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679923389 DTSTART:20221104T160000Z DTEND:20221104T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679925438 DTSTART:20221105T160000Z DTEND:20221105T220000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679927487 DTSTART:20221106T170000Z DTEND:20221106T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679929536 DTSTART:20221107T170000Z DTEND:20221107T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679931585 DTSTART:20221108T170000Z DTEND:20221108T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679933634 DTSTART:20221109T170000Z DTEND:20221109T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679935683 DTSTART:20221110T170000Z DTEND:20221110T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679937732 DTSTART:20221111T170000Z DTEND:20221111T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679939781 DTSTART:20221112T170000Z DTEND:20221112T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679941830 DTSTART:20221113T170000Z DTEND:20221113T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679943879 DTSTART:20221114T170000Z DTEND:20221114T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679945928 DTSTART:20221115T170000Z DTEND:20221115T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679946953 DTSTART:20221116T170000Z DTEND:20221116T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679949002 DTSTART:20221117T170000Z DTEND:20221117T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679951051 DTSTART:20221118T170000Z DTEND:20221118T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679953100 DTSTART:20221119T170000Z DTEND:20221119T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679955149 DTSTART:20221120T170000Z DTEND:20221120T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679957198 DTSTART:20221121T170000Z DTEND:20221121T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679959247 DTSTART:20221122T170000Z DTEND:20221122T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679961296 DTSTART:20221123T170000Z DTEND:20221123T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679963345 DTSTART:20221124T170000Z DTEND:20221124T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679965394 DTSTART:20221125T170000Z DTEND:20221125T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679967443 DTSTART:20221126T170000Z DTEND:20221126T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679969492 DTSTART:20221127T170000Z DTEND:20221127T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679971541 DTSTART:20221128T170000Z DTEND:20221128T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679973590 DTSTART:20221129T170000Z DTEND:20221129T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679975639 DTSTART:20221130T170000Z DTEND:20221130T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679978712 DTSTART:20221201T170000Z DTEND:20221201T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679980761 DTSTART:20221202T170000Z DTEND:20221202T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679982810 DTSTART:20221203T170000Z DTEND:20221203T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679983835 DTSTART:20221204T170000Z DTEND:20221204T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679985884 DTSTART:20221205T170000Z DTEND:20221205T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679987933 DTSTART:20221206T170000Z DTEND:20221206T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679989982 DTSTART:20221207T170000Z DTEND:20221207T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679992031 DTSTART:20221208T170000Z DTEND:20221208T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679994080 DTSTART:20221209T170000Z DTEND:20221209T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679996129 DTSTART:20221210T170000Z DTEND:20221210T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112679998178 DTSTART:20221211T170000Z DTEND:20221211T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680000227 DTSTART:20221212T170000Z DTEND:20221212T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680001252 DTSTART:20221213T170000Z DTEND:20221213T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680003301 DTSTART:20221214T170000Z DTEND:20221214T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680005350 DTSTART:20221215T170000Z DTEND:20221215T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680008423 DTSTART:20221216T170000Z DTEND:20221216T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680010472 DTSTART:20221217T170000Z DTEND:20221217T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680012521 DTSTART:20221218T170000Z DTEND:20221218T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680014570 DTSTART:20221219T170000Z DTEND:20221219T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680015595 DTSTART:20221220T170000Z DTEND:20221220T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680017644 DTSTART:20221221T170000Z DTEND:20221221T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680019693 DTSTART:20221222T170000Z DTEND:20221222T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680021742 DTSTART:20221223T170000Z DTEND:20221223T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680023791 DTSTART:20221224T170000Z DTEND:20221224T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680025840 DTSTART:20221225T170000Z DTEND:20221225T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680027889 DTSTART:20221226T170000Z DTEND:20221226T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680029938 DTSTART:20221227T170000Z DTEND:20221227T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680031987 DTSTART:20221228T170000Z DTEND:20221228T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680034036 DTSTART:20221229T170000Z DTEND:20221229T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680036085 DTSTART:20221230T170000Z DTEND:20221230T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680038134 DTSTART:20221231T170000Z DTEND:20221231T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680041207 DTSTART:20230101T170000Z DTEND:20230101T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680043256 DTSTART:20230102T170000Z DTEND:20230102T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680044281 DTSTART:20230103T170000Z DTEND:20230103T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680047354 DTSTART:20230104T170000Z DTEND:20230104T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680049403 DTSTART:20230105T170000Z DTEND:20230105T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680050428 DTSTART:20230106T170000Z DTEND:20230106T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680052477 DTSTART:20230107T170000Z DTEND:20230107T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680054526 DTSTART:20230108T170000Z DTEND:20230108T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680056575 DTSTART:20230109T170000Z DTEND:20230109T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680058624 DTSTART:20230110T170000Z DTEND:20230110T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680061697 DTSTART:20230111T170000Z DTEND:20230111T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680063746 DTSTART:20230112T170000Z DTEND:20230112T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680064771 DTSTART:20230113T170000Z DTEND:20230113T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680066820 DTSTART:20230114T170000Z DTEND:20230114T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680068869 DTSTART:20230115T170000Z DTEND:20230115T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680070918 DTSTART:20230116T170000Z DTEND:20230116T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680072967 DTSTART:20230117T170000Z DTEND:20230117T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680075016 DTSTART:20230118T170000Z DTEND:20230118T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680077065 DTSTART:20230119T170000Z DTEND:20230119T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680079114 DTSTART:20230120T170000Z DTEND:20230120T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680081163 DTSTART:20230121T170000Z DTEND:20230121T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680083212 DTSTART:20230122T170000Z DTEND:20230122T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260615T082124Z UID:tag:localist.com\,2008:EventInstance_41112680085261 DTSTART:20230123T170000Z DTEND:20230123T230000Z DESCRIPTION:Katharina Grosse is internationally celebrated for her large-sc ale\, on-site works that she paints across built and natural environments. To date\, less focus has been placed on her studio-based paintings. This exhibition explores that part of Grosse’s oeuvre\, from her earliest pai ntings in the 1990s to her most recent. It highlights these important canv ases and the role they have played throughout the artist’s career in her experiments with color and paint—their physical and optical properties\ , aesthetic potentials\, qualities of independence\, and ability to create motion.\n\nLarge and powerful to behold\, Grosse’s paintings create hei ghtened sensorial perceptions through their emphatic material presence. Th ey disrupt the conventional relations of background and foreground\, surfa ce and subsurface\, canvas and border to open up new imaginary worlds with in and beyond the work of art. Blotches\, streaks\, swaths\, and mists of color\; complex layers of paint\; sweeping expansive movements\; and fluid \, abstract forms convey a multiplicity that is simultaneous\, mobilizing perceptions that are both intuitive and subliminal. The act of painting\, conceived by Grosse as a prototype of human activity\, and the ways she ch allenges subjectivity and selfhood—long intrinsically associated with th e medium of painting—may be understood as a means for reckoning with the world beyond the canvas.\n\nWith 37 paintings selected in collaboration w ith the artist\, this is the first exhibition in the United States to expl ore the full range of Grosse’s studio paintings. It is her second collab oration with the Mildred Lane Kemper Art Museum. In 2016 the Museum commis sioned a wall-sized\, on-site painting by Grosse for the athletic complex at Washington University as part of its Art on Campus program. After its s howing in St. Louis the exhibition will travel to the Kunstmuseum Bern\, S witzerland\, and Kunstmuseum Bonn\, Germany. It is accompanied by an inter national\, bilingual scholarly publication featuring color reproductions o f more than 160 paintings\, serving as the first reference book on the art ist’s career-long practice of studio painting.\n\nThe Kemper Art Museum is open Monday\, Wednesday–Sunday\, 11 am –5 pm. Closed Tuesdays. GEO:38.647134;-90.302536 LOCATION:Mildred Lane Kemper Art Museum SUMMARY:Katharina Grosse Studio Paintings\, 1988–2022: Returns\, Revision s\, Inventions URL;VALUE=URI:https://happenings.washu.edu/event/katharina_grosse_studio_pa intings_19882022_returns_revisions_inventions CATEGORIES:Exhibits END:VEVENT END:VCALENDAR